Zoe Smith (multimedia journalist and former online editor at ITN Buy ativan without prescription, ) visited the Reuters Institute seminar last week to talk about multimedia journalism. A fascinating report from the trenches of the 'new journalism', Arizona AZ Ariz. , Buy ativan pills, as it were. This is a world where owners and managers sing the praises of going digital, New Mexico NM N.Mex. , Ordering ativan online cheap, of interacting with their audiences, of doing multi-platform journalism - but where the everyday work of online editors to a large degree consists of chasing journalists unwilling or uninterested in producing content for the Web as well, αγοράσετε ativan. Ativan online kopen, Smith laid the blame partly on organizational and occupational culture - a "I'm a broadcast journalist, I didn't join this business to do web stuff" kind of thing - and partly on the fact that while owners/managers may profess to love digital, billiga ativan apotek, Køb billige ativan, they do not love having to pay someone to do it (ITN's recent axing of staff will definitely affect online provision, for example), cheap generic ativan. Buy cheap ativan online, Back when news organizations went online (and they did so much later than many other organizations) the main attraction of digital was that it was cheap - after all, a computer with an Internet connection and content management software is much cheaper than a fully-staffed printing-and-typesetting shop, ativan kopen. This mindset still seems to rule in parts of the industry - sure, we love online, but why does it have to cost so much, buy ativan without prescription. Cheap ativan pills, In my own research as well as that of others, show that many journalists are indeed suspicious of new technology initiatives, kjøpe ativan, Jotta ativan verkossa, and often with good reason: technology is often used by owners as a "Trojan horse" in order to implement new working regimes and get rid of staff. Many journalists rightly see the pressure to also produce online content as exactly that: a pressure to do more with less resources, Koop korting ativan. Indiana IN Ind. , In short, multimedia journalism is almost always a top-down initiative, buy ativan. Order ativan no prescription, Changing an organization to cope with cross-platform production is never something that begins with journalists thinking about how they could use new technology to tell better, different stories or to produce more high-quality news, ativan without prescription. Buy ativan without prescription, That's one side of it. Billig ativan apotek, But since it has been remarked that my research sometimes is too "employee-centered", we may need to look at this the other way around as well - and this was also something Smith talked about, acheter ativan bon marché. Nebraska NE Nebr. , For example, given what we know about the stubbornness of journalistic culture and journalistic work practices, Kaufen ativan, Buy ativan overnight delivery, it may well be that if news organizations wait for bottom-up technology initiatives, they will have to wait forever, Kansas KS Kans. . Many journalists are not interested in being interactive, in having a dialogue with readers, in telling stories using many different platforms. They just want to keep doing what they have always been doing, and they emphatically do not want to "interact" with audiences - the whole point of their profession is that they tell audiences what is important, after all. Those journalists who are interested in doing journalism differently simply leave traditional news organizations and do all the new things they want on their own. Journalistic work culture - like any work culture, including, Lord knows, that of academia - is inherently conservative. Which is a pity, since as little as I would trust journalists to renew journalism for the digital age, I trust media owners even less.
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2 responses so far ↓
Karl // Nov 25, 2009 at 10:02 pm
I don’t know that journalists are resistant to the Web as far as suspicions go. I know many a journalist who’d be unemployed right now if they weren’t working online for their brand/outlet.
I don’t disagree with your post but I do see the online aspect two-fold: on the one hand, there’s a lot more space to tell in-depth stories and coverage online than there is in print. The web also has the immediacy and instantaneous global reach that makes reporting energizing again. It’s still about the details and being current and while it makes for a later deadline, many writers are up to the challenge, especially if you’re filing with a good online editor.
There are journalists, older-school, who distrust the web and don’t want to interface with the consumers and most of them don’t have to.
In the current economy, it’s not so much the progression to digital that raises suspicions since most editorial staffers know this is part of the gig now. What raises suspicions, well before the online thrust comes, is when your newsroom printers start being removed, staff starts getting cut and the very basics you need for reporting—never mind the form it takes (digital vs. print)—are being taken away.
Digital journalism still needs writers, still needs the human/analytical mind and the skills it takes to communicate and write a story. Journalists want their bylines, online or in ink, and as staff cuts mount and the industry suffers, online is not the dual pressure cooker it was, say, two years ago. Now it’s almost job security.
I am all for print thriving- the tactile, printed proof of recorded writing - but online doesn’t have to be a cheap, suspicious realm so long as there is some grit and soul behind it.
Henrik Ö // Dec 3, 2009 at 1:04 pm
Karl, you are of course right that the online world also offers unprecedented opportunities for new forms of storytelling as well as in-depth, long form journalism in the “classical” sense.
In the journalist interviews I have been doing for my research project, I sadly see relatively little interest in this from journalists as well as editors/managers. If anything, online seems to have made stories shorter in many media outlets, which is strange considering that the online platform does not set any limits at all as to length, unlike print and broadcasting.
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